About Me

Name: Ryan
IMDb Aliases: RCSPs3, Scream_Saga101; SidneyPrescott2000; smg101, ScreamGellarCruzNine
Twitter: http://twitter.com/#!/RCScream1234

Courteney Cox and Sarah Michelle Gellar

Favorite TV Shows
Buffy the Vampire Slayer, Ringer, Angel, Friends, Cougar Town, The Good Wife, The Young and the Restless, Veronica Mars, Sex and the City, Dirt, Guiding Light , Bones, Charmed, Gilmore Girls, and 30 Rock

Favorite Movies
Scream 3, Scream Scream 4, Scream 2, Veronika Decides to Die, The Hours, Aliens, Psycho, The Return, The Air I Breathe, Cruel Intentions, Suburban Girl, Black Swan, Sex and the City , Sex and the City 2, Nine, Moulin Rouge!, Halloween, Pirates of the Caribbean: At World's End, Harry Potter and the Deathly Hallows Part 2, Breaking Dawn Part 1, The Silence of the Lambs, NightScream, Alien: Resurrection, Halloween H20, I Know What You Did Last Summer, Derailed, The Interpreter, Erin Brockovich, Nothing but the Truth, Eternal Sunshine of the Spotless Mind, Inception, Chicago, American Beauty, Titanic, The Dark Knight, Fargo, Revolutionary Road, The Reader, A Fish Called Wanda, Pretty Woman, Who's Afraid of Virigina Woolf?, Rebecca, The Wizard of Oz, Sound of Music, Volver, The Upside of Anger, Pleasantville, Mean Girls, Changeling, Closer, Lord of the Rings: Return of the King, Lord of the Rings: The Fellowship of the Ring, Kill Bill Vol. 1 + 2, November, Halloween II, A Nightmare on Elm Street, A Nightmare on Elm Street 3: Dream Warriors , Carrie, Duplicity, Final Destination, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Half Blood Prince, Harry Potter and the Deathly Hallows Part 1, Twilight, Eclipse, New Moon, Pirates of the Caribbean: Curse of the Black Pearl, Pirates of the Caribbean: Dead Man's Chest, Dreamgirls, The Family Stone, Red Eye, Flightplan, The Curious Case of Benjamin Button, To Kill a Mockingbird, The Departed, Doubt, The Family Stone, Inglourious Basterds, Adaptation, Juno, The Kids Are All Right, Little Children, Michael Clayton, Grease, Se7en, Precious, Rabbit Hole, Vicky Cristina Barcelona, Crash, and Up in the Air

***Indicates the loves of my entertainment life

My Ranking of the Scream
Saga
Scream 3***
Scream***
Scream 4***
Scream 2***


My Ranking of the Buffy Seasons
Season 6***
Season 2***
Season 3
Season 5
Season 4
Season 1
Season 7


My Ranking of the Angel Seasons
Season 3
Season 4
Season 2
Season 1
Season 5


My Big Four Film Performances
Neve Campbell, Scream 3
Nicole Kidman, The Hours
Sarah Michelle Gellar, Veronika Decides to Die
Natalie Portman



Why Scream 3 Is The Best Of The Scream Saga:
. The complete second half of the film is literally flawless (post-Sidney comes out of hiding). The first 25 minutes are also pretty flawless, too, but not in the same park as the second half's brilliance. The only time it makes any mistakes is the 20 minute gap between Sarah Darling and Jennifer's house explosion <- it's not bad ...it's like 65% great, 35% flawed.
. The three intertwined storylines (Sidney's metal heath, Maureen Prescott's past, and Stab 3) makes for a very strong driven narrative.
. Has the strongest message of all four films (even though Scream 4's is very strong.) The message of the movie -> the first two asked the question are movies responsible for people killing? Most blame Hollywood for influencing the youth of America to be violent murders. The movies themselves don't, but the drama behind the scenes is enough to start a murdering bloodbath. Scream 3 shows us Sidney Prescott, a woman has lived through two killing sprees and has her life intertwined in this Hollywood drama. She, also, is in a bad mental state as a result. Yet, she is able to put the darkness aside from her past and move on with her life. You kill because you chose to...the movies, the people behind the movies, don't matter...it's your journey....you're decision.
. The role of Sidney was handled the best. Her scenes were crucial to her character development; there was no scene that felt like they edited in as a "filler" to get to the finale like the previous films.
. Scream 3 was the most emotional of the four.
. It was more brave than the first two and the fourth by having a male opening victim, let alone a recurring character who was the hero of the previous film.
. Neve Campbell's performance was flawless. The best acting I've ever seen.
. It was the funniest of the four without using the "spoof" to be funny.
. I think it’s the scariest of the four. Very thrilling, as much as terror (Blood doesn't matter...this is Scream not Saw).
. It was without a doubt the most surprising.
. I like the "adult society" plot it has compared to the first two and fourth who were about high school world and college life.
. It was the most plot heavy of the four, and I like plot; twists.
. The best climax/finale of the series. Brutal.
. Best production values: film editing, art direction, sound mixing, sound editing, visual effects, and the score! Scream 2 had slightly better cinematography and costume design.
. Contains the best supporting character in the entire series (excluding the trio in the earlier films), yes I'm talking to you Jennifer.
. The whole deja vu to Woodsboro and Sidney on the Stab 3 set was creepy and very effective. It goes back to the original and pulls out the unseen.
. Finds the equilibrium that 1, 2, and 4 couldn't find. It was terrifying, but you thoroughly enjoyed it.
.The killer had the best and most motivation to want Sidney dead out of the seven killers.
. The character development with the main three was a perfect epilogue. Wrapped up the story with loose ends being cut off while incorporating a little bit of "let the viewer decide." The new cast was different from the first sequel and the third sequel; in Scream 2 and Scream 4 the characters were so sketched out to be likeable with quirky personalities, it made them unlikeable. In Scream 3 they weren’t designed to be likeable; the audience was allowed to like new characters in Scream 3 on their own.
. The fact that it was original. This is more-so pointing to Scream 2, than the original even though in some ways the original was vastly similar to Halloween. Scream 4 was making fun of remakes so, I'm not sure if I can fault it for homaging the first three in every scene. The clever plot with the Stab 3 cast being offed as they are in the script; life imitating art.

Wednesday

Frist Rabbit Hole review!

My most anticipated film of the award season has just been reviewed for the first time. I must say, Annette and Julianne...I love ya, but Kidman should steal it this year :)

My Predicted Nominations as of Now:
Best Picture (with 10 Nominees)
Best Actress: Nicole Kidman
Best Supporting Actress: Diane Wiest 
Best Adapted Screenplay

http://tiff.net/filmsandschedules/tiff/2010/rabbithole


In Shortbus and Hedwig and the Angry Inch, director John Cameron Mitchell pushed sexual limits, broke genre boundaries and did both with an all-embracing generosity. He’s made some of the sweetest naughty movies of our time. Rabbit Hole marks a major progression. Gone is the euphoric underground sensibility, replaced by more broadly accessible storytelling and impressive formal control. Taking its place among the highest quality contemporary American drama, Rabbit Hole starts from a superb script interpreted by first-rate actors doing some of their best work.
Nicole Kidman and Aaron Eckhart play Becca and Howie Corbett, a couple trying to mourn, but unsure how to do it. They have retreated into politeness and private rituals, appearing more and more isolated in their upper middle-class home, which looks especially barren now that their young son is gone after a hit-and-run tragedy.
Unable to mourn but unready to re-enter daily life, Becca rebuffs her family, snapping at her more reckless sister and humiliating her mother (Dianne Wiest) every chance she gets. She even turns her sharp tongue on the members of the support group which she and her husband attend. As Howie makes genuine efforts to connect – including an overly earnest attempt with another mourning parent, played by Sandra Oh – Becca begins to pursue a course even she doesn’t understand. She starts to reach out to the boy who killed her son, a teenaged driver whose life was irrevocably changed by the incident. Their relationship, full of curiosity, suppressed rage and a surprising mutual recognition, forms the fascinating counterpoint to the discordant notes of a marriage in crisis.
Mitchell shapes this material with maturity and grace. Dianne Wiest gives a nuanced performance to match the best of her work. Eckhart is superb as a husband tortured by both the death of his son and the withering of his marriage. Kidman is remarkable. We expect disciplined, precise work from her, but there is new range here, and a willingness to show frayed emotions that makes this one of the finest performances of the year.

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